Ticklish truths

Academic journal article Indo - Pacific Journal of Phenomenology. To evidence the human condition must be to provide an account of the manifold modalities of experience: 'Evidence' must include different kinds of humanly experienced truths.

However, the question is how does one extend the way in which the 'evidential' is broadly understood so that it encompasses the range of ways and kinds of knowing as practised in people's everyday lives and as pertaining to those lives.

Borrowing phrasing from Nietzsche, this article focuses in particular on species of human truth that might be described as being 'shyer' or more 'ticklish' than others, and that are only humanly accessible when 'taken by surprise', or 'glanced at, flashed at'.

ticklish truths

Part I of the article explores the sense that might be made of the notion of 'ticklish truths'. Part II then considers the wider implications of giving due to a panoply of modes of human knowing. The aim of the article is to recognize a 'gay science' Nietzsche not as an eccentric construction of merely poetic insights and expressions, but as a necessary part of the fundamentals of knowledge.

It is a truth of the human condition that its truths are grounded in a personal embodiment of individuality, ontogeny, momentariness and situationality. Is it a fact that a thing has been misunderstood and unrecognised when it has only been touched upon in passing, glanced at, flashed at?

Must one absolutely sit upon it in the first place? Must one have brooded on it as on an egg? Diu noctuque incubando [Incubating it day and night], as Newton said of himself? At least there are truths of a peculiar shyness and ticklishness which one can only get hold of suddenly, and in no other way, which one must either take by surprise, or leave alone. Nietzsche, The title of the book refers specifically to the art of poetry, in particular as it was practiced in Provence in the twelfth century by troubadours.

The troubadours were singers, knights and free spirits all at once and Nietzsche saw in their unity-in-diversity a kind of human wholeness-in-practice. Broadly speaking, a gay science was a programme of human knowing which made manifest at one and the same time knowledge-practices that were rigorous, controlled and disciplined, which figured as part of their practitioner's personal exercise of power, which were hence life-enhancing, and whose inventiveness was magnificent.

Nietzsche's own attitude to the possibility, indeed the necessity, of the gay science he depicted in his text, and rediscovering as human practice, was to find it true and valorous and imbued with personality. Nietzche's view of the troubadours provides a point of entry into a discussion of lived experience and its evidencing which is sensitive to a phenomenological wholeness. This evidence must therefore include different kinds of humanly experienced truths.

This does not involve disparaging science, instead one wishes knowledge to abide by Popperian notions of the necessity of processes of observation and criticism Popper, However, one would also extend the way in which the evidential is understood so that it can be taught to also include a range of ways and kinds of knowing as practiced in people's everyday lives and as pertaining to those lives. The opening quotation is provocative because it anticipates certain truths as being 'shyer', and more 'ticklish' than others.

These truths are only humanly accessible when "taken by surpriseYou have one of two options: tell the truth, and endure the inevitable tickling that follows; or lie, and know that being found out will lead to a tickle attack that is much worse. For some reason, people think that it is hilarious to prod laughter out of ticklish people through horse bites and strategically placed pokes, and when you think about it, we're all guilty of it: Who among us can claim that they have never tickled a baby's toes to hear that adorable sound that they make?

Only when you're an adult, tickling unsuspecting people isn't so cute anymore. And it turns out, sometimes tickling is no laughing matter, if you remember that there is a serial tickler still at large in Boston who breaks into homes and wakes people up by tickling their feet.

I'm guessing he's never done it to anyone as ticklish as I am, or I would have accidentally kicked him in the face before I even woke up and the case would have been solved years ago. Aside from the potential to bring tickling criminals to justice, however, most parts of being ticklish are awful. These are a few of the struggles that all ticklish people are familiar with:.

The actual inspiration for this article came a few days ago when I got my first ever pedicure read: was bullied into getting my first ever pedicureeven though I knew exactly what would happen. Sure enough, I proceeded to spend most of it holding my breath so I wouldn't howl out loud laughing while the woman tickled the ever-loving crap out of me. Even if there aren't any stairs in the vicinity, you will somehow roll over in tickle agony and continue to roll and roll until you find a set and tumble down it.

At least, it is until you know the person well enough to anticipate what they'll do, and for them to know how to touch you without triggering a tickle fit. The first time I tried to even cuddle with someone intimately I was laughing literally through all of it.

When somebody kisses me for the first time and dares to touch my hips, I automatically cackle into his mouth.

8 Struggles of Being Ridiculously Ticklish

At this point, I've slapped my phantom-tickled arms and legs in public often enough that everybody probably thinks I'm an insane person. I'm glad that you're so bored with your life that your only entertainment is watching me writhe and make pained, demonic noises.

I hate to freak them out with the seriousness of my warning, but I really do not like being tickled, especially in coercion, and I find that the only way to get this across is by being really mean about it the first time. I was scared when I wrote this that I'd be "outed" and everyone would use it an excuse to tickle me, and then I realized: everybody already knows. Because if one person in your friend group knows, the rest of them will know within an hour.

You are a beacon of tickling torture and nobody can save you now. Images: PBS; Giphy 8. By Emma Lord. Results for:.These truth or dare questions over text are so much fun and easy to play.

They keep the conversation interesting and add an extra element of fun. These truth or dare questions over text are sure to keep you invested in your text conversations! Take your texts to the next level by asking some of these awesome truth or dare questions over text.

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You can have a text group chat with multiple people, or you can just play with two people. Dare means you have to do whatever dare is given to you. Because these are truth or dare questions over text, you need to have a way to know that the dare actually has been done. You can have the person record themselves doing a dare, send a screenshot of the dare that has been done if possibleor have the other person in a phone call with them to ensure that the dare has been done.

The rules are simple and easy to follow when playing truth or dare over text. Michele is a Family Life Educator with her degree in marriage and family studies. When she is not blogging she is spending time with her family and running around drinking Diet Coke trying to get everything done! This site uses Akismet to reduce spam. Learn how your comment data is processed. Menu About Work with us! Contact Disclosure Privacy.

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Is there anything in your life that you would change? Good Truths Who do you hate and why? What is your biggest pet peeve? How many people have you kissed?Please register and fill in login to your account details!.

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ticklish truths

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ticklish truths

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ticklish truths

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Shy and Ticklish Truths as Species of Scientific and Artistic Perception

R8 1600m Class: Class 3, Handicap 5:30PM Selections 1. Cannon Run (9) odds 5. Celtic Diamond (11) odds 2.That was such a success that we felt confident our good experience would be repeated, it was!. We just completed our Drive It Ourselves Tour of Norway. We added 5 extra nights to the standard 12 night tour and found that we needed all of them to see and do all that was available. The itinerary was well thought out and gave us a thorough look at central and southern Norway.

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The filmmaker Charles Atlas, who returns to filming dance after a ten-year hiatus, was a frequent and innovative Cunningham collaborator. And Silas Riener and Rashaun Mitchell were two of the most striking performers in the final iteration of the company. In 1932, for example, he created sets and costumes for the American avant-garde dancer and choreographer Ruth Page. Afterward, Dakin Hart, a Noguchi scholar, and Meglin will hold a discussion. Harkness became home to the first faculty of modern dance in the United States, and its ranks over the years have attracted many pioneers in the field.

Every year, the Harkness Dance Festival and various performance series bring choreographers and performers at various stages of their careers to Buttenwieser Hall to celebrate the history and future of modern dance. The production, a miniature version of the story, is only an hour long, performed in front of an ingenious set piece that transforms itself over the course of the evening. The British naval administrator and parliamentarian Samuel Pepys, for example, went on at great length in his journals about everything, from his bladder stones and his sexual escapades to what he had for lunch.

When Merce Cunningham died, in 2009, his collaborators spun off in all directions, like planets in a solar system that has lost its sun. Two of his dancers, Rashaun Mitchell and Silas Riener, began making work together, in a style that blends their choreographic identities.

One suspects that Cunningham would have approved. And the company is dancing especially well these daysduring its winter season (at the David H. The national company was founded long before the revolution, by the Cuban-born star Alicia Alonso, and remains a prized institution, as beloved as baseball. Modern dance has had a harder time putting down roots there, but lately that has started to change. Malpaso Dance Company, founded in 2012, is part of this new flowering.

The independently run company, stocked with vibrant, beautifully trained dancers, tours abroad extensively and, thanks in part to the Joyce Theatre Foundation, regularly commissions work from outside choreographers. Thank you to our students for making Summer 2017 a great success. Please check back on December 15 to learn what is in store for Summer 2018.

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100+ Truth or Dare Questions Over Text

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Learn More and Apply Get the scoop on seminar topics, program activities, and favorite moments of the Summer Preview program from last summer's students. Learn More and Apply The Big Picture Get the scoop on seminar topics, program activities, and favorite moments of the Summer Preview program from last summer's students. Brady, Anne B BrittPlant Physiol.

Gommers, Elena MontePlant Physiol. Townsend, Renata Retkute, Kannan Chinnathambi, Jamie WP Randall, john foulkes, Elizabete Carmo-Silva, Erik H. Jinkerson, Sophie Clowez, Cawa Tran, Cory J. Krediet, Masayuki Onishi, Phillip A. Day, James Whelan, Renate ScheibePlant Physiol.


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